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Goedde Details: Aria Giovanni’s face from 2001. I never crop my photographs because I believe in composing at the time of exposure. However, sometimes there are little elements in photographs which on their own don’t work as a whole. This is what the Goedde Details series is for me. Discarded elements brought to life in a new context. Follow me on Instagram at ‘stevedietgoedde’

Goedde Details: Aria Giovanni’s face from 2001. I never crop my photographs because I believe in composing at the time of exposure. However, sometimes there are little elements in photographs which on their own don’t work as a whole. This is what the Goedde Details series is for me. Discarded elements brought to life in a new context. Follow me on Instagram at ‘stevedietgoedde

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Goedde Details: Aria Giovanni’s cleavage, Santa Monica 2004 - I never crop my photographs because I believe in composing at the time of exposure. However, sometimes there are little elements I like in photographs that don’t work as a whole. This is what the Goedde Details series is for me. Discarded elements brought to life in a new context. Follow me on Instagram at ‘stevedietgoedde’

Goedde Details: Aria Giovanni’s cleavage, Santa Monica 2004 - I never crop my photographs because I believe in composing at the time of exposure. However, sometimes there are little elements I like in photographs that don’t work as a whole. This is what the Goedde Details series is for me. Discarded elements brought to life in a new context. Follow me on Instagram at ‘stevedietgoedde’

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Aria Giovanni, Santa Monica 2004 - Photographed in a friend’s backyard with the Mamiya 645. 

Aria Giovanni, Santa Monica 2004 - Photographed in a friend’s backyard with the Mamiya 645.